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BY PATRICIA DOMÍNGUEZ
Patricia Domínguez's artwork traces the digital and spiritual relationships between living species and how they are impacted by capitalism and environmental destruction. She combines research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living.
Born and based in Chile, combines her research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living. In Cosmotechnics, an exhibition at FACT Liverpool, Patricia presents two works side by side for the first time, developed during her dual residency between CERN in Switzerland and the European Southern Observatory (ESO) astronomy facilities in Chile. Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) reflect Patricia’s ongoing exploration of the energy that connects all living things and objects on Earth.
Patricia Domínguez's artwork traces the digital and spiritual relationships between living species and how they are impacted by capitalism and environmental destruction. She combines research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living.
Born and based in Chile, combines her research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living. In Cosmotechnics, an exhibition at FACT Liverpool, Patricia presents two works side by side for the first time, developed during her dual residency between CERN in Switzerland and the European Southern Observatory (ESO) astronomy facilities in Chile. Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) reflect Patricia’s ongoing exploration of the energy that connects all living things and objects on Earth.
IMAGE CREDITS
Patricia Domínguez, Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) in Comsotechnics (2024) curated by Beatrice Zaidenberg. Installation view at FACT Liverpool. Photography by Rob Battersby
Shrine by Patricia Domínguez in Comsotechnics (2024) curated by Beatrice Zaidenberg. Shrine offerings curated by Liverpool-based artist and gardener, Andrea Ku. Installation view at FACT Liverpool. Photography by Rob Battersby
Patricia Domínguez, Tres Lunas más Abajo (Three Moons Below), 2024, analogue photograph. Courtesy: the artist; photograph: Emilia Martín. Produced with the support of Fundación Botín, Arts at CERN, ESO Observatories, Pro Helvetia Southamerica, Corporación Chilean de Video, Ministerio de las Culturas, las Artes y el Patrimonio de Chile, and Cecilia Brunson Projects
Patricia Domínguez, ‘Three Moons Below’, 2024, exhibition view. Courtesy: the artist and Cecilia Brunson Projects; photograph: Lucy Dawkins
Patricia Domínguez: 'Three Moons Below', 2024, Cecilia Brunson Projects., installation view. Photography by Lucy Dawkins
BY PATRICIA DOMÍNGUEZ
Patricia Domínguez's artwork traces the digital and spiritual relationships between living species and how they are impacted by capitalism and environmental destruction. She combines research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living.
Born and based in Chile, combines her research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living. In Cosmotechnics, an exhibition at FACT Liverpool, Patricia presents two works side by side for the first time, developed during her dual residency between CERN in Switzerland and the European Southern Observatory (ESO) astronomy facilities in Chile. Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) reflect Patricia’s ongoing exploration of the energy that connects all living things and objects on Earth.
Patricia Domínguez's artwork traces the digital and spiritual relationships between living species and how they are impacted by capitalism and environmental destruction. She combines research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living.
Born and based in Chile, combines her research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living. In Cosmotechnics, an exhibition at FACT Liverpool, Patricia presents two works side by side for the first time, developed during her dual residency between CERN in Switzerland and the European Southern Observatory (ESO) astronomy facilities in Chile. Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) reflect Patricia’s ongoing exploration of the energy that connects all living things and objects on Earth.
IMAGE CREDITS
Patricia Domínguez, Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) in Comsotechnics (2024) curated by Beatrice Zaidenberg. Installation view at FACT Liverpool. Photography by Rob Battersby
Shrine by Patricia Domínguez in Comsotechnics (2024) curated by Beatrice Zaidenberg. Shrine offerings curated by Liverpool-based artist and gardener, Andrea Ku. Installation view at FACT Liverpool. Photography by Rob Battersby
Patricia Domínguez, Tres Lunas más Abajo (Three Moons Below), 2024, analogue photograph. Courtesy: the artist; photograph: Emilia Martín. Produced with the support of Fundación Botín, Arts at CERN, ESO Observatories, Pro Helvetia Southamerica, Corporación Chilean de Video, Ministerio de las Culturas, las Artes y el Patrimonio de Chile, and Cecilia Brunson Projects
Patricia Domínguez, ‘Three Moons Below’, 2024, exhibition view. Courtesy: the artist and Cecilia Brunson Projects; photograph: Lucy Dawkins
Patricia Domínguez: 'Three Moons Below', 2024, Cecilia Brunson Projects., installation view. Photography by Lucy Dawkins
BY PATRICIA DOMÍNGUEZ
Patricia Domínguez's artwork traces the digital and spiritual relationships between living species and how they are impacted by capitalism and environmental destruction. She combines research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living.
Born and based in Chile, combines her research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living. In Cosmotechnics, an exhibition at FACT Liverpool, Patricia presents two works side by side for the first time, developed during her dual residency between CERN in Switzerland and the European Southern Observatory (ESO) astronomy facilities in Chile. Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) reflect Patricia’s ongoing exploration of the energy that connects all living things and objects on Earth.
Patricia Domínguez's artwork traces the digital and spiritual relationships between living species and how they are impacted by capitalism and environmental destruction. She combines research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living.
Born and based in Chile, combines her research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living. In Cosmotechnics, an exhibition at FACT Liverpool, Patricia presents two works side by side for the first time, developed during her dual residency between CERN in Switzerland and the European Southern Observatory (ESO) astronomy facilities in Chile. Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) reflect Patricia’s ongoing exploration of the energy that connects all living things and objects on Earth.
IMAGE CREDITS
Patricia Domínguez, Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) in Comsotechnics (2024) curated by Beatrice Zaidenberg. Installation view at FACT Liverpool. Photography by Rob Battersby
Shrine by Patricia Domínguez in Comsotechnics (2024) curated by Beatrice Zaidenberg. Shrine offerings curated by Liverpool-based artist and gardener, Andrea Ku. Installation view at FACT Liverpool. Photography by Rob Battersby
Patricia Domínguez, Tres Lunas más Abajo (Three Moons Below), 2024, analogue photograph. Courtesy: the artist; photograph: Emilia Martín. Produced with the support of Fundación Botín, Arts at CERN, ESO Observatories, Pro Helvetia Southamerica, Corporación Chilean de Video, Ministerio de las Culturas, las Artes y el Patrimonio de Chile, and Cecilia Brunson Projects
Patricia Domínguez, ‘Three Moons Below’, 2024, exhibition view. Courtesy: the artist and Cecilia Brunson Projects; photograph: Lucy Dawkins
Patricia Domínguez: 'Three Moons Below', 2024, Cecilia Brunson Projects., installation view. Photography by Lucy Dawkins
BY PATRICIA DOMÍNGUEZ
Patricia Domínguez's artwork traces the digital and spiritual relationships between living species and how they are impacted by capitalism and environmental destruction. She combines research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living.
Born and based in Chile, combines her research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living. In Cosmotechnics, an exhibition at FACT Liverpool, Patricia presents two works side by side for the first time, developed during her dual residency between CERN in Switzerland and the European Southern Observatory (ESO) astronomy facilities in Chile. Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) reflect Patricia’s ongoing exploration of the energy that connects all living things and objects on Earth.
Patricia Domínguez's artwork traces the digital and spiritual relationships between living species and how they are impacted by capitalism and environmental destruction. She combines research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living.
Born and based in Chile, combines her research on plants, resource extraction, and healing practices to create sculptures, videos, and writings that imagine more sustainable and compassionate ways of living. In Cosmotechnics, an exhibition at FACT Liverpool, Patricia presents two works side by side for the first time, developed during her dual residency between CERN in Switzerland and the European Southern Observatory (ESO) astronomy facilities in Chile. Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) reflect Patricia’s ongoing exploration of the energy that connects all living things and objects on Earth.
IMAGE CREDITS
Patricia Domínguez, Tres Lunas Más Abajo (Three Moons Below) (2024) and Matrix Vegetal (2022) in Comsotechnics (2024) curated by Beatrice Zaidenberg. Installation view at FACT Liverpool. Photography by Rob Battersby
Shrine by Patricia Domínguez in Comsotechnics (2024) curated by Beatrice Zaidenberg. Shrine offerings curated by Liverpool-based artist and gardener, Andrea Ku. Installation view at FACT Liverpool. Photography by Rob Battersby
Patricia Domínguez, Tres Lunas más Abajo (Three Moons Below), 2024, analogue photograph. Courtesy: the artist; photograph: Emilia Martín. Produced with the support of Fundación Botín, Arts at CERN, ESO Observatories, Pro Helvetia Southamerica, Corporación Chilean de Video, Ministerio de las Culturas, las Artes y el Patrimonio de Chile, and Cecilia Brunson Projects
Patricia Domínguez, ‘Three Moons Below’, 2024, exhibition view. Courtesy: the artist and Cecilia Brunson Projects; photograph: Lucy Dawkins
Patricia Domínguez: 'Three Moons Below', 2024, Cecilia Brunson Projects., installation view. Photography by Lucy Dawkins