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BY FREDDIE YAUNER
Freddie Yauner is an artist who makes works that explore how the human drive for continual growth has impacted people and the planet. Freddie’s current work is focussed on Agriculture and Food Systems, which contribute one third of all global greenhouse gas emissions, and are a hugely complex and emotional area to achieve meaningful change within. As Artist in Residence at the Food and Environment Centre at Chatham House, Freddie working alongside Prof Tim Benton and his team to bring a cultural lever to their research and outputs. Freddie hosted participatory art therapy sessions at Chatham House, bringing a group of climate and policy experts together to sew a large flag. Holding guided conversations whilst sewing together discussing the global ‘red flags’ that their work highlights and the emotional burden of holding such urgent knowledge.
Freddie is also a huge admirer of William Morris - so much so that each year he undertakes what he calls Morris-anuary. A three month vigil from the 1st of January to the 24th March (Morris’s birthday) where Freddie’s outputs are inspired by Morris’s extraordinary breadth of practice, culminating in a public work.
Freddie is working with Leyton Boundary Gardens, a thriving community garden in Leyton, London. Throughout William Morris’s 20’s his mother lived in Leyton having moved from nearby Walthamstow and Woodford where William grew up. The Boundary Garden have been growing Madder for the past 2 years - it is now ready to harvest. Morris was fascinated by the use of natural dyes, both as a romantic obsession with the mediaeval but also as a rallying cry against the chemical and industrial processes that were taking hold of the global textile trade. This drive for natural manufacture and craft are fast gaining contemporary relevance and application.
William Morris often used Madder root to create the deep reds of his designs - these prints are what he is best known for today. But his contemporary influence is far greater than textile design. He was a social reformer and, many believe, a forerunner of the modern green movement. Morris was an early socialist, often giving open air talks with a small red flag (undoubtedly dyed with Madder) by his side - which got me thinking about the contemporary use of ‘red flags’. They are used to warn of poor water quality and to stop car races, for union strikes. They are used to flag inappropriate behaviour online or language that hints at unfolding problems. A red flag is a general warning that things are not OK.
Project proposal:
We need a warning sign from the people,
to those with the power to enact the changes needed.
We need a red flag.
In 2024 at Leyton Boundary Garden, Freddie worked with the local community to come together to dye the red flag using the madder root. Through the process while digging, grinding and dying - they talked and recorded what participants felt were their personal ‘red flags’. The final flag, naturally dyed with madder root grown and harvested at Leyton Community garden, holds a record of these conversations and the multi-faceted warning that it symbolises.This flag will then ‘tour’ to engaged public institutions, such as Somerset House, where it now hangs from their flag pole as a public warning.
FH - Largely passive apart from gardening. I live most of the time in a very urban area where soil is covered up by infrastructure. But I love to garden and have so enjoyed the process and literal magic of taking roots from the soil and generating colour from them.
FH - My main red flag is mass agriculture and its creep in terms of reach, power and destruction of our land and health. But I'm generally interested in human cognitive dissonance and the mental gymnastics we all perform every day to continue within systems that are broken, that don't serve us and that don't fit what we would normally call our moral code - these acts are both massive and minute.
Freddie Yauner is an artist who makes works that explore how the human drive for continual growth has impacted people and the planet. Freddie’s current work is focussed on Agriculture and Food Systems, which contribute one third of all global greenhouse gas emissions, and are a hugely complex and emotional area to achieve meaningful change within. As Artist in Residence at the Food and Environment Centre at Chatham House, Freddie working alongside Prof Tim Benton and his team to bring a cultural lever to their research and outputs. Freddie hosted participatory art therapy sessions at Chatham House, bringing a group of climate and policy experts together to sew a large flag. Holding guided conversations whilst sewing together discussing the global ‘red flags’ that their work highlights and the emotional burden of holding such urgent knowledge.
Freddie is also a huge admirer of William Morris - so much so that each year he undertakes what he calls Morris-anuary. A three month vigil from the 1st of January to the 24th March (Morris’s birthday) where Freddie’s outputs are inspired by Morris’s extraordinary breadth of practice, culminating in a public work.
Freddie is working with Leyton Boundary Gardens, a thriving community garden in Leyton, London. Throughout William Morris’s 20’s his mother lived in Leyton having moved from nearby Walthamstow and Woodford where William grew up. The Boundary Garden have been growing Madder for the past 2 years - it is now ready to harvest. Morris was fascinated by the use of natural dyes, both as a romantic obsession with the mediaeval but also as a rallying cry against the chemical and industrial processes that were taking hold of the global textile trade. This drive for natural manufacture and craft are fast gaining contemporary relevance and application.
William Morris often used Madder root to create the deep reds of his designs - these prints are what he is best known for today. But his contemporary influence is far greater than textile design. He was a social reformer and, many believe, a forerunner of the modern green movement. Morris was an early socialist, often giving open air talks with a small red flag (undoubtedly dyed with Madder) by his side - which got me thinking about the contemporary use of ‘red flags’. They are used to warn of poor water quality and to stop car races, for union strikes. They are used to flag inappropriate behaviour online or language that hints at unfolding problems. A red flag is a general warning that things are not OK.
Project proposal:
We need a warning sign from the people,
to those with the power to enact the changes needed.
We need a red flag.
In 2024 at Leyton Boundary Garden, Freddie worked with the local community to come together to dye the red flag using the madder root. Through the process while digging, grinding and dying - they talked and recorded what participants felt were their personal ‘red flags’. The final flag, naturally dyed with madder root grown and harvested at Leyton Community garden, holds a record of these conversations and the multi-faceted warning that it symbolises.This flag will then ‘tour’ to engaged public institutions, such as Somerset House, where it now hangs from their flag pole as a public warning.
FH - Largely passive apart from gardening. I live most of the time in a very urban area where soil is covered up by infrastructure. But I love to garden and have so enjoyed the process and literal magic of taking roots from the soil and generating colour from them.
FH - My main red flag is mass agriculture and its creep in terms of reach, power and destruction of our land and health. But I'm generally interested in human cognitive dissonance and the mental gymnastics we all perform every day to continue within systems that are broken, that don't serve us and that don't fit what we would normally call our moral code - these acts are both massive and minute.
Freddie Yauner's work celebrates NATURE, explores HUMAN cognitive dissonance and unpicks ideas of PROGRESS. Freddie is a multi-disciplinary artist whose explores how the human drive for continual growth has impacted people and planet.
BY FREDDIE YAUNER
Freddie Yauner is an artist who makes works that explore how the human drive for continual growth has impacted people and the planet. Freddie’s current work is focussed on Agriculture and Food Systems, which contribute one third of all global greenhouse gas emissions, and are a hugely complex and emotional area to achieve meaningful change within. As Artist in Residence at the Food and Environment Centre at Chatham House, Freddie working alongside Prof Tim Benton and his team to bring a cultural lever to their research and outputs. Freddie hosted participatory art therapy sessions at Chatham House, bringing a group of climate and policy experts together to sew a large flag. Holding guided conversations whilst sewing together discussing the global ‘red flags’ that their work highlights and the emotional burden of holding such urgent knowledge.
Freddie is also a huge admirer of William Morris - so much so that each year he undertakes what he calls Morris-anuary. A three month vigil from the 1st of January to the 24th March (Morris’s birthday) where Freddie’s outputs are inspired by Morris’s extraordinary breadth of practice, culminating in a public work.
Freddie is working with Leyton Boundary Gardens, a thriving community garden in Leyton, London. Throughout William Morris’s 20’s his mother lived in Leyton having moved from nearby Walthamstow and Woodford where William grew up. The Boundary Garden have been growing Madder for the past 2 years - it is now ready to harvest. Morris was fascinated by the use of natural dyes, both as a romantic obsession with the mediaeval but also as a rallying cry against the chemical and industrial processes that were taking hold of the global textile trade. This drive for natural manufacture and craft are fast gaining contemporary relevance and application.
William Morris often used Madder root to create the deep reds of his designs - these prints are what he is best known for today. But his contemporary influence is far greater than textile design. He was a social reformer and, many believe, a forerunner of the modern green movement. Morris was an early socialist, often giving open air talks with a small red flag (undoubtedly dyed with Madder) by his side - which got me thinking about the contemporary use of ‘red flags’. They are used to warn of poor water quality and to stop car races, for union strikes. They are used to flag inappropriate behaviour online or language that hints at unfolding problems. A red flag is a general warning that things are not OK.
Project proposal:
We need a warning sign from the people,
to those with the power to enact the changes needed.
We need a red flag.
In 2024 at Leyton Boundary Garden, Freddie worked with the local community to come together to dye the red flag using the madder root. Through the process while digging, grinding and dying - they talked and recorded what participants felt were their personal ‘red flags’. The final flag, naturally dyed with madder root grown and harvested at Leyton Community garden, holds a record of these conversations and the multi-faceted warning that it symbolises.This flag will then ‘tour’ to engaged public institutions, such as Somerset House, where it now hangs from their flag pole as a public warning.
FH - Largely passive apart from gardening. I live most of the time in a very urban area where soil is covered up by infrastructure. But I love to garden and have so enjoyed the process and literal magic of taking roots from the soil and generating colour from them.
FH - My main red flag is mass agriculture and its creep in terms of reach, power and destruction of our land and health. But I'm generally interested in human cognitive dissonance and the mental gymnastics we all perform every day to continue within systems that are broken, that don't serve us and that don't fit what we would normally call our moral code - these acts are both massive and minute.
Freddie Yauner is an artist who makes works that explore how the human drive for continual growth has impacted people and the planet. Freddie’s current work is focussed on Agriculture and Food Systems, which contribute one third of all global greenhouse gas emissions, and are a hugely complex and emotional area to achieve meaningful change within. As Artist in Residence at the Food and Environment Centre at Chatham House, Freddie working alongside Prof Tim Benton and his team to bring a cultural lever to their research and outputs. Freddie hosted participatory art therapy sessions at Chatham House, bringing a group of climate and policy experts together to sew a large flag. Holding guided conversations whilst sewing together discussing the global ‘red flags’ that their work highlights and the emotional burden of holding such urgent knowledge.
Freddie is also a huge admirer of William Morris - so much so that each year he undertakes what he calls Morris-anuary. A three month vigil from the 1st of January to the 24th March (Morris’s birthday) where Freddie’s outputs are inspired by Morris’s extraordinary breadth of practice, culminating in a public work.
Freddie is working with Leyton Boundary Gardens, a thriving community garden in Leyton, London. Throughout William Morris’s 20’s his mother lived in Leyton having moved from nearby Walthamstow and Woodford where William grew up. The Boundary Garden have been growing Madder for the past 2 years - it is now ready to harvest. Morris was fascinated by the use of natural dyes, both as a romantic obsession with the mediaeval but also as a rallying cry against the chemical and industrial processes that were taking hold of the global textile trade. This drive for natural manufacture and craft are fast gaining contemporary relevance and application.
William Morris often used Madder root to create the deep reds of his designs - these prints are what he is best known for today. But his contemporary influence is far greater than textile design. He was a social reformer and, many believe, a forerunner of the modern green movement. Morris was an early socialist, often giving open air talks with a small red flag (undoubtedly dyed with Madder) by his side - which got me thinking about the contemporary use of ‘red flags’. They are used to warn of poor water quality and to stop car races, for union strikes. They are used to flag inappropriate behaviour online or language that hints at unfolding problems. A red flag is a general warning that things are not OK.
Project proposal:
We need a warning sign from the people,
to those with the power to enact the changes needed.
We need a red flag.
In 2024 at Leyton Boundary Garden, Freddie worked with the local community to come together to dye the red flag using the madder root. Through the process while digging, grinding and dying - they talked and recorded what participants felt were their personal ‘red flags’. The final flag, naturally dyed with madder root grown and harvested at Leyton Community garden, holds a record of these conversations and the multi-faceted warning that it symbolises.This flag will then ‘tour’ to engaged public institutions, such as Somerset House, where it now hangs from their flag pole as a public warning.
FH - Largely passive apart from gardening. I live most of the time in a very urban area where soil is covered up by infrastructure. But I love to garden and have so enjoyed the process and literal magic of taking roots from the soil and generating colour from them.
FH - My main red flag is mass agriculture and its creep in terms of reach, power and destruction of our land and health. But I'm generally interested in human cognitive dissonance and the mental gymnastics we all perform every day to continue within systems that are broken, that don't serve us and that don't fit what we would normally call our moral code - these acts are both massive and minute.
Freddie Yauner's work celebrates NATURE, explores HUMAN cognitive dissonance and unpicks ideas of PROGRESS. Freddie is a multi-disciplinary artist whose explores how the human drive for continual growth has impacted people and planet.
BY FREDDIE YAUNER
Freddie Yauner is an artist who makes works that explore how the human drive for continual growth has impacted people and the planet. Freddie’s current work is focussed on Agriculture and Food Systems, which contribute one third of all global greenhouse gas emissions, and are a hugely complex and emotional area to achieve meaningful change within. As Artist in Residence at the Food and Environment Centre at Chatham House, Freddie working alongside Prof Tim Benton and his team to bring a cultural lever to their research and outputs. Freddie hosted participatory art therapy sessions at Chatham House, bringing a group of climate and policy experts together to sew a large flag. Holding guided conversations whilst sewing together discussing the global ‘red flags’ that their work highlights and the emotional burden of holding such urgent knowledge.
Freddie is also a huge admirer of William Morris - so much so that each year he undertakes what he calls Morris-anuary. A three month vigil from the 1st of January to the 24th March (Morris’s birthday) where Freddie’s outputs are inspired by Morris’s extraordinary breadth of practice, culminating in a public work.
Freddie is working with Leyton Boundary Gardens, a thriving community garden in Leyton, London. Throughout William Morris’s 20’s his mother lived in Leyton having moved from nearby Walthamstow and Woodford where William grew up. The Boundary Garden have been growing Madder for the past 2 years - it is now ready to harvest. Morris was fascinated by the use of natural dyes, both as a romantic obsession with the mediaeval but also as a rallying cry against the chemical and industrial processes that were taking hold of the global textile trade. This drive for natural manufacture and craft are fast gaining contemporary relevance and application.
William Morris often used Madder root to create the deep reds of his designs - these prints are what he is best known for today. But his contemporary influence is far greater than textile design. He was a social reformer and, many believe, a forerunner of the modern green movement. Morris was an early socialist, often giving open air talks with a small red flag (undoubtedly dyed with Madder) by his side - which got me thinking about the contemporary use of ‘red flags’. They are used to warn of poor water quality and to stop car races, for union strikes. They are used to flag inappropriate behaviour online or language that hints at unfolding problems. A red flag is a general warning that things are not OK.
Project proposal:
We need a warning sign from the people,
to those with the power to enact the changes needed.
We need a red flag.
In 2024 at Leyton Boundary Garden, Freddie worked with the local community to come together to dye the red flag using the madder root. Through the process while digging, grinding and dying - they talked and recorded what participants felt were their personal ‘red flags’. The final flag, naturally dyed with madder root grown and harvested at Leyton Community garden, holds a record of these conversations and the multi-faceted warning that it symbolises.This flag will then ‘tour’ to engaged public institutions, such as Somerset House, where it now hangs from their flag pole as a public warning.
FH - Largely passive apart from gardening. I live most of the time in a very urban area where soil is covered up by infrastructure. But I love to garden and have so enjoyed the process and literal magic of taking roots from the soil and generating colour from them.
FH - My main red flag is mass agriculture and its creep in terms of reach, power and destruction of our land and health. But I'm generally interested in human cognitive dissonance and the mental gymnastics we all perform every day to continue within systems that are broken, that don't serve us and that don't fit what we would normally call our moral code - these acts are both massive and minute.
Freddie Yauner is an artist who makes works that explore how the human drive for continual growth has impacted people and the planet. Freddie’s current work is focussed on Agriculture and Food Systems, which contribute one third of all global greenhouse gas emissions, and are a hugely complex and emotional area to achieve meaningful change within. As Artist in Residence at the Food and Environment Centre at Chatham House, Freddie working alongside Prof Tim Benton and his team to bring a cultural lever to their research and outputs. Freddie hosted participatory art therapy sessions at Chatham House, bringing a group of climate and policy experts together to sew a large flag. Holding guided conversations whilst sewing together discussing the global ‘red flags’ that their work highlights and the emotional burden of holding such urgent knowledge.
Freddie is also a huge admirer of William Morris - so much so that each year he undertakes what he calls Morris-anuary. A three month vigil from the 1st of January to the 24th March (Morris’s birthday) where Freddie’s outputs are inspired by Morris’s extraordinary breadth of practice, culminating in a public work.
Freddie is working with Leyton Boundary Gardens, a thriving community garden in Leyton, London. Throughout William Morris’s 20’s his mother lived in Leyton having moved from nearby Walthamstow and Woodford where William grew up. The Boundary Garden have been growing Madder for the past 2 years - it is now ready to harvest. Morris was fascinated by the use of natural dyes, both as a romantic obsession with the mediaeval but also as a rallying cry against the chemical and industrial processes that were taking hold of the global textile trade. This drive for natural manufacture and craft are fast gaining contemporary relevance and application.
William Morris often used Madder root to create the deep reds of his designs - these prints are what he is best known for today. But his contemporary influence is far greater than textile design. He was a social reformer and, many believe, a forerunner of the modern green movement. Morris was an early socialist, often giving open air talks with a small red flag (undoubtedly dyed with Madder) by his side - which got me thinking about the contemporary use of ‘red flags’. They are used to warn of poor water quality and to stop car races, for union strikes. They are used to flag inappropriate behaviour online or language that hints at unfolding problems. A red flag is a general warning that things are not OK.
Project proposal:
We need a warning sign from the people,
to those with the power to enact the changes needed.
We need a red flag.
In 2024 at Leyton Boundary Garden, Freddie worked with the local community to come together to dye the red flag using the madder root. Through the process while digging, grinding and dying - they talked and recorded what participants felt were their personal ‘red flags’. The final flag, naturally dyed with madder root grown and harvested at Leyton Community garden, holds a record of these conversations and the multi-faceted warning that it symbolises.This flag will then ‘tour’ to engaged public institutions, such as Somerset House, where it now hangs from their flag pole as a public warning.
FH - Largely passive apart from gardening. I live most of the time in a very urban area where soil is covered up by infrastructure. But I love to garden and have so enjoyed the process and literal magic of taking roots from the soil and generating colour from them.
FH - My main red flag is mass agriculture and its creep in terms of reach, power and destruction of our land and health. But I'm generally interested in human cognitive dissonance and the mental gymnastics we all perform every day to continue within systems that are broken, that don't serve us and that don't fit what we would normally call our moral code - these acts are both massive and minute.
Freddie Yauner's work celebrates NATURE, explores HUMAN cognitive dissonance and unpicks ideas of PROGRESS. Freddie is a multi-disciplinary artist whose explores how the human drive for continual growth has impacted people and planet.
BY FREDDIE YAUNER
Freddie Yauner is an artist who makes works that explore how the human drive for continual growth has impacted people and the planet. Freddie’s current work is focussed on Agriculture and Food Systems, which contribute one third of all global greenhouse gas emissions, and are a hugely complex and emotional area to achieve meaningful change within. As Artist in Residence at the Food and Environment Centre at Chatham House, Freddie working alongside Prof Tim Benton and his team to bring a cultural lever to their research and outputs. Freddie hosted participatory art therapy sessions at Chatham House, bringing a group of climate and policy experts together to sew a large flag. Holding guided conversations whilst sewing together discussing the global ‘red flags’ that their work highlights and the emotional burden of holding such urgent knowledge.
Freddie is also a huge admirer of William Morris - so much so that each year he undertakes what he calls Morris-anuary. A three month vigil from the 1st of January to the 24th March (Morris’s birthday) where Freddie’s outputs are inspired by Morris’s extraordinary breadth of practice, culminating in a public work.
Freddie is working with Leyton Boundary Gardens, a thriving community garden in Leyton, London. Throughout William Morris’s 20’s his mother lived in Leyton having moved from nearby Walthamstow and Woodford where William grew up. The Boundary Garden have been growing Madder for the past 2 years - it is now ready to harvest. Morris was fascinated by the use of natural dyes, both as a romantic obsession with the mediaeval but also as a rallying cry against the chemical and industrial processes that were taking hold of the global textile trade. This drive for natural manufacture and craft are fast gaining contemporary relevance and application.
William Morris often used Madder root to create the deep reds of his designs - these prints are what he is best known for today. But his contemporary influence is far greater than textile design. He was a social reformer and, many believe, a forerunner of the modern green movement. Morris was an early socialist, often giving open air talks with a small red flag (undoubtedly dyed with Madder) by his side - which got me thinking about the contemporary use of ‘red flags’. They are used to warn of poor water quality and to stop car races, for union strikes. They are used to flag inappropriate behaviour online or language that hints at unfolding problems. A red flag is a general warning that things are not OK.
Project proposal:
We need a warning sign from the people,
to those with the power to enact the changes needed.
We need a red flag.
In 2024 at Leyton Boundary Garden, Freddie worked with the local community to come together to dye the red flag using the madder root. Through the process while digging, grinding and dying - they talked and recorded what participants felt were their personal ‘red flags’. The final flag, naturally dyed with madder root grown and harvested at Leyton Community garden, holds a record of these conversations and the multi-faceted warning that it symbolises.This flag will then ‘tour’ to engaged public institutions, such as Somerset House, where it now hangs from their flag pole as a public warning.
FH - Largely passive apart from gardening. I live most of the time in a very urban area where soil is covered up by infrastructure. But I love to garden and have so enjoyed the process and literal magic of taking roots from the soil and generating colour from them.
FH - My main red flag is mass agriculture and its creep in terms of reach, power and destruction of our land and health. But I'm generally interested in human cognitive dissonance and the mental gymnastics we all perform every day to continue within systems that are broken, that don't serve us and that don't fit what we would normally call our moral code - these acts are both massive and minute.
Freddie Yauner is an artist who makes works that explore how the human drive for continual growth has impacted people and the planet. Freddie’s current work is focussed on Agriculture and Food Systems, which contribute one third of all global greenhouse gas emissions, and are a hugely complex and emotional area to achieve meaningful change within. As Artist in Residence at the Food and Environment Centre at Chatham House, Freddie working alongside Prof Tim Benton and his team to bring a cultural lever to their research and outputs. Freddie hosted participatory art therapy sessions at Chatham House, bringing a group of climate and policy experts together to sew a large flag. Holding guided conversations whilst sewing together discussing the global ‘red flags’ that their work highlights and the emotional burden of holding such urgent knowledge.
Freddie is also a huge admirer of William Morris - so much so that each year he undertakes what he calls Morris-anuary. A three month vigil from the 1st of January to the 24th March (Morris’s birthday) where Freddie’s outputs are inspired by Morris’s extraordinary breadth of practice, culminating in a public work.
Freddie is working with Leyton Boundary Gardens, a thriving community garden in Leyton, London. Throughout William Morris’s 20’s his mother lived in Leyton having moved from nearby Walthamstow and Woodford where William grew up. The Boundary Garden have been growing Madder for the past 2 years - it is now ready to harvest. Morris was fascinated by the use of natural dyes, both as a romantic obsession with the mediaeval but also as a rallying cry against the chemical and industrial processes that were taking hold of the global textile trade. This drive for natural manufacture and craft are fast gaining contemporary relevance and application.
William Morris often used Madder root to create the deep reds of his designs - these prints are what he is best known for today. But his contemporary influence is far greater than textile design. He was a social reformer and, many believe, a forerunner of the modern green movement. Morris was an early socialist, often giving open air talks with a small red flag (undoubtedly dyed with Madder) by his side - which got me thinking about the contemporary use of ‘red flags’. They are used to warn of poor water quality and to stop car races, for union strikes. They are used to flag inappropriate behaviour online or language that hints at unfolding problems. A red flag is a general warning that things are not OK.
Project proposal:
We need a warning sign from the people,
to those with the power to enact the changes needed.
We need a red flag.
In 2024 at Leyton Boundary Garden, Freddie worked with the local community to come together to dye the red flag using the madder root. Through the process while digging, grinding and dying - they talked and recorded what participants felt were their personal ‘red flags’. The final flag, naturally dyed with madder root grown and harvested at Leyton Community garden, holds a record of these conversations and the multi-faceted warning that it symbolises.This flag will then ‘tour’ to engaged public institutions, such as Somerset House, where it now hangs from their flag pole as a public warning.
FH - Largely passive apart from gardening. I live most of the time in a very urban area where soil is covered up by infrastructure. But I love to garden and have so enjoyed the process and literal magic of taking roots from the soil and generating colour from them.
FH - My main red flag is mass agriculture and its creep in terms of reach, power and destruction of our land and health. But I'm generally interested in human cognitive dissonance and the mental gymnastics we all perform every day to continue within systems that are broken, that don't serve us and that don't fit what we would normally call our moral code - these acts are both massive and minute.
Freddie Yauner's work celebrates NATURE, explores HUMAN cognitive dissonance and unpicks ideas of PROGRESS. Freddie is a multi-disciplinary artist whose explores how the human drive for continual growth has impacted people and planet.